12 ballet rehearsal performance stickers matte glossy erin condren eclp travelers notebook tn midori mini happy planner personal

Wiggle & Giggle with Liz Mac: 12:30-1 p.m. Sept. 19. Tots 2-4 can have fun dancing to music. Toddler Tumble Time: noon-1:15 p.m. Thursdays, Sept. 26-Oct. 24. Kids ages 1-3 1/2 and their parents can participate with early literacy toys. Registration is required, and begins at 9 a.m. Sept. 3. Limited to the first 25 kids. Bean Art Craft: 7-8 p.m. Sept. 30. Kids ages 5-11 can create art with beans. Free Mock SAT Essay Practice: 7-8:30 p.m. Sept. 9. Teens can learn to recognize what essay graders want, strategies on writing high-scoring essays, writing an essay in a test-like environment, and receiving a score from an expert grader. Register at http://www.kaptest.com/enroll/SAT/94519/events.

The evening opened with the String Quartet No, 2 by Alexander Borodin, the quartet’s namesake, The breathtaking, lush exchanges in the Allegro moderato and the Scherzo between first violinist Ruben Aharonian and cellist Vladimir Balshin evoked the anticipation and dance of courtship between the 12 ballet rehearsal performance stickers matte glossy erin condren eclp travelers notebook tn midori mini happy planner personal composer and his wife, Ekaterina, to whom the work is dedicated, Aharonian appears to abide by the performance philosophy espoused by the estimable Jascha Heifetz: express emotions not by physical means, but convey through the music and let the audience emote, The violinist seldom moved an inch in his seat, but the sound he produced was resplendent and just, The Borodin performed the familiar melodies of the Notturno with grace, panache and conviction, and their rhythmic freedom was met by their well-crafted homogeneity of tone, But this was just a taste of what was to come..

Director Christina Lazo, who’s also responsible for the fun and energetic choreography for the large ensemble, really plays up the period setting. Kelly James Tighe’s ever-changing set is dominated by pastel Mondrian patterns, and costumer Hope Birdwell clothes Birdie well in some memorably flashy Elvis-like outfits. Aside from the credible Elvis parody “One Last Kiss,” the songs are on the fluffy or schmaltzy side, delivered smoothly by the orchestra directed by Matt Smart and the large ensemble (despite some uneven audibility in Some More Sound’s miking on opening night). Probably the best known song to come out of the show is “Put on a Happy Face,” but among the catchiest is the griping parents’ lament “Kids,” sung with gusto by Kim’s family (including dynamic fifth-grader J.D. Cerruti as a little brother overeager to join the curmudgeonly older generation). Still, perhaps the most memorable ditty is also the one you’d most wish to get out of your head — the cloying teen girl squad anthem “We Love You Conrad.”.

Next month will have Valdez’s musical, “Corridos: The Remix” from Nov, 8-13 and Tandy Beal’s “Nutcracker”-inspired “Nutz RE-mixed” Nov, 18 through Dec, 4, But the real treat should be “The San Jose Nutcracker” from Dalia Rawson and the New Ballet School, running Dec, 16-24, The show takes the story we know so well but weaves in historical references to the Santa Clara Valley’s special heritage, You can keep track of 12 ballet rehearsal performance stickers matte glossy erin condren eclp travelers notebook tn midori mini happy planner personal everything going on at the theatre at www.sjsu.edu/hammertheatre..

Another key to Zero One’s growth was the organization’s ability to attract grants from private and federal sources, reducing its reliance on city funds. (It will receive just $62,500 from the Office of Cultural Affairs for this biennial.) In recent years, the festival has attracted major grants from the Knight Foundation (nearly $1 million), the Packard Foundation, the National Endowment for the Arts and the Irvine Foundation. “They’ve been really good at “… capturing the attention of institutions, foundations and businesses in Silicon Valley that understand that the kind of innovation and invention involved in the biennial “… is very much what Silicon Valley is about,” said Goldstein.